Two cheers for Bharath and director Thirumurugan for playing a winning game for the second time. The Em Mahan duo, who dwelled on family relationships in their first venture, have made a similar attempt in their latest offing too, however with some major changes.
Set in the backdrop of a rural college, the script revolves around a student, who feels that he is trapped in the ego war of two men. When the battle wants to take toll of his love affair, the decision he is forced to take is Muniyandi Vilangiyal Moondram Aandu.
Be it portraying a typical rural institution or its students or their accents, Thirumurugan proves that he is second to none. The only thing that prevents him from emerging out and out triumphant is that mega serial feel which one can feel here and there in this film.
As we already said, Bharath is a college student, whose father is always at loggerheads with another senior man in the village. When Bharath falls in love with Poorna, the rivalry threatens to snuff out the hopes of love.
Very much aware that he is part of a dangerous game that has cost lives before, Bharath vows to join hands with his ladylove. On whose side is victory is the screenplay with choc-a-bloc twists and turns.
Bharath’s character goes through an emotional roller coaster. And his perfomance gels well with the story. Fresher Poorna is fresh and has done a neat job. Ponvannan as a father proves his mettle. Though Vadivelu tries to tickle the funny bone, it ends up in quagmire.
Technically, there is nothing much to mention except Vidyasagar’s music. Quite like Thirumurugan’s Metti Oil, Muniyandi too will sounds nice among women folk, not talking about men and youth in the so called B and C centres.
Muniyandi Vilangiyal Moondram Aandu – Muniyandi Vilas
Score sheet
Area Marks (out of 20)
Script 9
Performance 10
Music 9
Technical aspects 8
Direction 10
Total 46 out of 100
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Set in the backdrop of a rural college, the script revolves around a student, who feels that he is trapped in the ego war of two men. When the battle wants to take toll of his love affair, the decision he is forced to take is Muniyandi Vilangiyal Moondram Aandu.
Be it portraying a typical rural institution or its students or their accents, Thirumurugan proves that he is second to none. The only thing that prevents him from emerging out and out triumphant is that mega serial feel which one can feel here and there in this film.
As we already said, Bharath is a college student, whose father is always at loggerheads with another senior man in the village. When Bharath falls in love with Poorna, the rivalry threatens to snuff out the hopes of love.
Very much aware that he is part of a dangerous game that has cost lives before, Bharath vows to join hands with his ladylove. On whose side is victory is the screenplay with choc-a-bloc twists and turns.
Bharath’s character goes through an emotional roller coaster. And his perfomance gels well with the story. Fresher Poorna is fresh and has done a neat job. Ponvannan as a father proves his mettle. Though Vadivelu tries to tickle the funny bone, it ends up in quagmire.
Technically, there is nothing much to mention except Vidyasagar’s music. Quite like Thirumurugan’s Metti Oil, Muniyandi too will sounds nice among women folk, not talking about men and youth in the so called B and C centres.
Muniyandi Vilangiyal Moondram Aandu – Muniyandi Vilas
Score sheet
Area Marks (out of 20)
Script 9
Performance 10
Music 9
Technical aspects 8
Direction 10
Total 46 out of 100
What else than a flick close to real life could Sasikumar, a student of Bala and Ameer schools could deliver? Yes, Subramaniapuram is an interesting drama with no artificial characters and scenes, set in the backdrop of Madurai.
Azhagar (Jai), Paramar (director Sasikumar), Kasi (Ganja Karuppu) and a physically challenged boy living in Subramaniapuram area, a suburb of Madurai are good friends. With the support of former councillor Somu’s brother (Samudrakani), they do the odd jobs.
Circumstances make Azhagar fall in love with Somu’s daughter Thulasi (Swathy). This creates a fissure in the gang. Meanwhile the councillor’s brother uses them to murder a party rival, and fails to bail them out when they are caught by the police. This makes Azhagar & Co to take revenge. Are they succeeded is the climax.
At a time when everyone was in an idea that Subramaniapuram would be a romantic film, director Sasikumar springs surprise by taking a deviation. Slick execution, innovative camera movements and music by James Vasanthan work hard to give that feel of the 80’s.
The actors mostly freshers pass the muster. Swathy, an import from Tollywood is refreshing.
However the film moves at a snail's pace. Another draw back is that it is too bloody and gory. Apart from these two factors, Sasikumar should be appreciated for coming out with a bold and daring attempt.
Subramaniapuram- Nativity
Scoresheet
Area Marks (out of 20)
Script 11
Performance 10
Music 11
Technical aspects 10
Direction 11
Total 53 out of 100
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Azhagar (Jai), Paramar (director Sasikumar), Kasi (Ganja Karuppu) and a physically challenged boy living in Subramaniapuram area, a suburb of Madurai are good friends. With the support of former councillor Somu’s brother (Samudrakani), they do the odd jobs.
Circumstances make Azhagar fall in love with Somu’s daughter Thulasi (Swathy). This creates a fissure in the gang. Meanwhile the councillor’s brother uses them to murder a party rival, and fails to bail them out when they are caught by the police. This makes Azhagar & Co to take revenge. Are they succeeded is the climax.
At a time when everyone was in an idea that Subramaniapuram would be a romantic film, director Sasikumar springs surprise by taking a deviation. Slick execution, innovative camera movements and music by James Vasanthan work hard to give that feel of the 80’s.
The actors mostly freshers pass the muster. Swathy, an import from Tollywood is refreshing.
However the film moves at a snail's pace. Another draw back is that it is too bloody and gory. Apart from these two factors, Sasikumar should be appreciated for coming out with a bold and daring attempt.
Subramaniapuram- Nativity
Scoresheet
Area Marks (out of 20)
Script 11
Performance 10
Music 11
Technical aspects 10
Direction 11
Total 53 out of 100
It is no easy task to make a period film. And it is doubly so if an octogenarian, that too a head of a State had to write the script (dialogues to be precise) despite his busy schedule. Above all this, Uliyin Osai has emerged triumphant, thanks to the gripping script of Chief Minister M Karunanidhi and execution of director Ilavenil.
Based on the story Sarapallam Samundi written by Karunanidhi in Murasoli four decades ago, Uliyin Osai is a movie on the life of a sculptor set in 1005 AD. It aptly shows his emotions, the passion for his work and ends with a shocking decision he makes when things go wrong.
Raja Raja Chozhan (Sarath Babu) and his son Rajendra Chozhan want to build a grand temple and choose Iniyan (Vineeth), a sculptor for the purpose. Iniyan wants a dancer who can pose for sculpting but finds it difficult to zero in on an apt woman.
At that time, he comes across a poor girl Samundi (Keerthi Chawla). Her stunning looks stuns him and he selects her as the model. He falls in in love with her in due course. When he expresses his love, Iniyan is shocked to know that she is none other than the wife of Rajendra Chozhan. What happens is a shocking climax.
Despite the fact that Ulyin Osai is a period film, it has no lengthy dialogues in chaste Tamil. They are precise and interesting as well. Vineeth, as a sculptor emotes well. Keethi Chawla shows right reactions when Vineeth expresses his love for her. Sarath Babu, Manorama, Akshaya and Thalaivasal Vijay are apt selections. Ganja Karuppu’s comedy fails to evoke laughter.
Ilayaraja’s music is one of the assets for Uliyin Osai. B Kannan’s camera adds value. However, on the flip-side, the sets lack grandeur. Otherwise, Ulyin Osai is a well-chisled sculpture which is a feast for eyes.
Uliyin Osai- Sounds nice
Scoresheet
Area Marks (out of 20)
Script 13
Performance 10
Music 12
Technical aspects 9
Direction 11
Total 55 out of 100
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Based on the story Sarapallam Samundi written by Karunanidhi in Murasoli four decades ago, Uliyin Osai is a movie on the life of a sculptor set in 1005 AD. It aptly shows his emotions, the passion for his work and ends with a shocking decision he makes when things go wrong.
Raja Raja Chozhan (Sarath Babu) and his son Rajendra Chozhan want to build a grand temple and choose Iniyan (Vineeth), a sculptor for the purpose. Iniyan wants a dancer who can pose for sculpting but finds it difficult to zero in on an apt woman.
At that time, he comes across a poor girl Samundi (Keerthi Chawla). Her stunning looks stuns him and he selects her as the model. He falls in in love with her in due course. When he expresses his love, Iniyan is shocked to know that she is none other than the wife of Rajendra Chozhan. What happens is a shocking climax.
Despite the fact that Ulyin Osai is a period film, it has no lengthy dialogues in chaste Tamil. They are precise and interesting as well. Vineeth, as a sculptor emotes well. Keethi Chawla shows right reactions when Vineeth expresses his love for her. Sarath Babu, Manorama, Akshaya and Thalaivasal Vijay are apt selections. Ganja Karuppu’s comedy fails to evoke laughter.
Ilayaraja’s music is one of the assets for Uliyin Osai. B Kannan’s camera adds value. However, on the flip-side, the sets lack grandeur. Otherwise, Ulyin Osai is a well-chisled sculpture which is a feast for eyes.
Uliyin Osai- Sounds nice
Scoresheet
Area Marks (out of 20)
Script 13
Performance 10
Music 12
Technical aspects 9
Direction 11
Total 55 out of 100
Seemingly inspired by Maniratnam’s Mouna Ragam, Madhumitha, who is making her foray into Kollywood as a director has dished out a melodrama, which portrays the emotional battle of a woman between her husband and lover.
While powerful dialogues and quick turn of events help the audience to stick on to the screen, a sense of dejavu too prevails, thus making them to feel like watching a megaserial on big screen.
However, the debutant director deserves pat for not coming out with a run-of-the-mill kind of movie with commercial compromises to cater to the needs of distributors and other stake holders of film industry.
Anand (Parthiban) and Nandita (Chaya Singh) are newly married. However, Nandita, who loves her aunt’s son is unable to forget him and wants to split with Anand. She obtains a divorce and begins to lead an independent life. But Anand sets out on a mission to convince her and start life afresh. Does he succeed forms the crux of the film.
Parthiban is tailor-made for the character. He deserves special mention for his witty dialogues and body language. Chaya Singh springs surprise by effeciently essaying the role. Srikanth plays a cameo.
Music director Bharadwaj has come up with a commendable performance in a couple of songs. On the whole, though Vallamai Tharaiyo has missed out some tricks on the entertainment part, the director’s commitment and hard work deserve a pat, considering the fact that she is a fresher.
Vallamai Thariyo- Mediocre medley
Scoresheet
Area Marks (out of 20)
Script 11
Performance 11
Music 10
Technical aspects 8
Direction 10
Total 50 out of 100
In a sense, almost all Tamil films are based on Gandhian principles. The hero fights for justice and finally truth alone will triumph. But Ayudham Seivom is a movie that strikes a direct chord with Mahatma’s policies, as the protagonist Sundar C takes the Ahimsa route (except the scene where he fights with Ponnambalam & Co) to establish justice.
Or, you can also call the film as a heady mix of Bollywood movies, based out of Gandhian principles. At the same time, director Udayan has followed all the rules of Tamil cinema, with a sole hope to woo the audience.
Sundar is a henchman who can be hired for any sort of rowdyism. One day, Manivannan asks him to steal the evidence related to the death of Collector Suganya from the elderly lawyer Vijayakumar.
When he is on his mission, Vijayakumar is accidentally killed. Even at the time of his death, the advocate wishes Sundar C ‘Vazhga Valamudan’. This brings a sea change in the rowdy’s heart. Now he wants justice for the deaths of Suganya and Vijayakumar. For that he takes the Gandhian route- Ahimsa.
It is not new for Sundar to don the role of a dhadha. He gives what the role demands from him. Anjali, the Katradhu Tamil girl learns glamour in this film. Vivek, Manivannan, Nasser, Malavika and Vindhya are also there.
Srikanth Deva’s music and K.S Selvaraj’s camera add strength to the script. Had the director Udayan avoided the preachy tone, Ayudham Seivom would have been a sharp entertainer.
Ayudham Seivom- Shines, struggles
Scoresheet
Area Marks (out of 20)
Script 9
Performance 10
Music 8
Technical aspects 8
Direction 9
Total 44 out of 100
Kamal Hassan don't do different things. He always do things in a different way. Perhaps this could be the success formula for this evergreen actor, who is conquering the hearts and minds of Tamil speaking people all over the world. His forthcoming magnum opus, Dasavatharam, which is directed by K. S. Ravikumar had already created enough hype which is almost equal to that of Superstar Rajinikanth starrer Sivaji.
The movie features Kamal in ten different roles and Asin in two roles, apart from Mallika Sherawat and Jayaprada in the lead roles with Napolean, M. S. Baskar, Santhana Bharathi and Ravikumar himself in other pivotal roles. The movie upon release will be subsequently dubbed into six Indian languages, which are Hindi language|Hindi]], Telugu language, Malayalam, Kannada, Bhojpuri and Bengali with the same title. The film's score and soundtrack was written by acclaimed composer, Himesh Reshammiya, with lyrics from two lyricists. The film, prior to release, has given rise to great expectations due to the number of high-profile artists involved within its creation. At the present status of progress, the film is still being shot in various locations and a trailer is being readied. The date set for release worldwide, after several postponements, is 15 August, 2007.
Hollywood make-up artist Michael Westmore does the make-ups for Kamal Haasan in the film. Currently confirmed roles of Kamal Haasan in the film are a 130 year old man, an old spiritual woman, a beautiful young lady and a rural tourist guide named Udhar Mani. He also plays the role of acting like a 7feet tall man which was filmed using modern technology. Dasavatharam is a term used in Hindu mythology to depict the ten incarnations of Lord Vishnu. Kamal plays 10 characters in this film, most number of characters played by a single actor in a single film ever till date!
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The movie features Kamal in ten different roles and Asin in two roles, apart from Mallika Sherawat and Jayaprada in the lead roles with Napolean, M. S. Baskar, Santhana Bharathi and Ravikumar himself in other pivotal roles. The movie upon release will be subsequently dubbed into six Indian languages, which are Hindi language|Hindi]], Telugu language, Malayalam, Kannada, Bhojpuri and Bengali with the same title. The film's score and soundtrack was written by acclaimed composer, Himesh Reshammiya, with lyrics from two lyricists. The film, prior to release, has given rise to great expectations due to the number of high-profile artists involved within its creation. At the present status of progress, the film is still being shot in various locations and a trailer is being readied. The date set for release worldwide, after several postponements, is 15 August, 2007.
Hollywood make-up artist Michael Westmore does the make-ups for Kamal Haasan in the film. Currently confirmed roles of Kamal Haasan in the film are a 130 year old man, an old spiritual woman, a beautiful young lady and a rural tourist guide named Udhar Mani. He also plays the role of acting like a 7feet tall man which was filmed using modern technology. Dasavatharam is a term used in Hindu mythology to depict the ten incarnations of Lord Vishnu. Kamal plays 10 characters in this film, most number of characters played by a single actor in a single film ever till date!
For the first time, Vishal is donning the role of a cop in Sathyam. Interestingly, the bilingual film would be the first direct Telugu venture for Vishal, who so far tested Andhra waters with dubbing movies alone. In Telugu, it has been titled as Salute and shooting is progressing briskly.
Stating that the film will be sleek and stylish, Vishal said, ‘the film has all necessary commercial elements, which will be liked by one and all. I am very much expecting the release’
On the sudden makeover in the career by donning the role of a top cop, Vishal said, ‘though director Rajasekhar approached me with the script two years ago, I couldn't do it, as I wanted to become more matured. However, me and mybrother Vikram Krishna understood that it is not a run-of-the-millpolice film. It is quiet different and will surely appease my fans.’
‘Have you done any specail workouts to fit into the role?’ When asked, Vishal said, ‘yes. I have done rigorous workouts to resemble a fit police officer. I am spending most of the time in gym nowadays to give that tough guy feel to the audience.
Says director Rajasekar, ‘Vishal is simply superb in the role of a police officer. About 70 per cent of the shoot were over so far. The film's major assets are music by Harris Jayaraj (his 25th film) and graphic works by famed Hollywood technician who worked for Matrix and Krishh.’ Produced by GK Films, the film has Nayantara opposite Vishal.
Stating that the film will be sleek and stylish, Vishal said, ‘the film has all necessary commercial elements, which will be liked by one and all. I am very much expecting the release’
On the sudden makeover in the career by donning the role of a top cop, Vishal said, ‘though director Rajasekhar approached me with the script two years ago, I couldn't do it, as I wanted to become more matured. However, me and mybrother Vikram Krishna understood that it is not a run-of-the-millpolice film. It is quiet different and will surely appease my fans.’
‘Have you done any specail workouts to fit into the role?’ When asked, Vishal said, ‘yes. I have done rigorous workouts to resemble a fit police officer. I am spending most of the time in gym nowadays to give that tough guy feel to the audience.
Says director Rajasekar, ‘Vishal is simply superb in the role of a police officer. About 70 per cent of the shoot were over so far. The film's major assets are music by Harris Jayaraj (his 25th film) and graphic works by famed Hollywood technician who worked for Matrix and Krishh.’ Produced by GK Films, the film has Nayantara opposite Vishal.
What started as a mere rumour that choreographer Raju Sundaram is directing Ajith was later officially confirmed. Then started the title guess and it was buzzed that the film has been named Aegan, which refers to Lord Shiva, which in turn means the one and only powerful God. And this too was confirmed with the shoot is now going on in a brisk phase.
According to sources, the film is loosely based on Hindi blockbuster Main Hoon Na. Nayantara, whose on screen presence with Ajith in Billa created waves is once again joining hands with ‘Thala’ in Aegan.
Navdeep, who has acted in Arindhum Ariyamalum is doing the role of Ajith’s brother in the movie. Says Raju Sundaram, ‘the role of Ajit in the film is such a powerful one. He fights for justice and establishes his supremacy. That’s why the title Aegan.’
The movie is being produced by Ayngaran International and some important portions of the movie including the introduction shot of Ajith was shot in Hong Kong. The film is expected be a real treat for die-hard Ajith fans.
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According to sources, the film is loosely based on Hindi blockbuster Main Hoon Na. Nayantara, whose on screen presence with Ajith in Billa created waves is once again joining hands with ‘Thala’ in Aegan.
Navdeep, who has acted in Arindhum Ariyamalum is doing the role of Ajith’s brother in the movie. Says Raju Sundaram, ‘the role of Ajit in the film is such a powerful one. He fights for justice and establishes his supremacy. That’s why the title Aegan.’
The movie is being produced by Ayngaran International and some important portions of the movie including the introduction shot of Ajith was shot in Hong Kong. The film is expected be a real treat for die-hard Ajith fans.
The sudden death of cinematographer - director Jeeva during the shoot of Dham Dhoom in Russia has not halted the project. Instead, the post production works of the film is now going on in a full swing, thanks to Jeeva’s wife Anees and his mentor PC Sreeram.
Jayam Ravi, the hero of the movie says, 'the sudden demise of Jeeva shattered us. However the whole unit came together to complete the movie on time. Dham Dhoom is our tribute to Jeeva'.
On the film, he said, ‘it is an action cum romantic entertainer which has loads of ingredients for today’s youth. Harris Jeyaraj’s music is simply superb. The tunes are still doing rounds in my ears. You have to hear them to believe.’
Starring Kangana Ranawat and Lakshmi Rai as heroines, the film revolves around Ravi, a medico, who goes to Russia and encounters a series of problems. With language becoming a barrier in the alien land to prove his innocence, how he overcomes all the trouble to return to India forms the crux.
Lakshmi Rai says, ‘I can’t forget Dham Dhoom in my career. It is such an interesting script which has ample importance to my role. Surely the film is going to be one of the important films for me.’
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Jayam Ravi, the hero of the movie says, 'the sudden demise of Jeeva shattered us. However the whole unit came together to complete the movie on time. Dham Dhoom is our tribute to Jeeva'.
On the film, he said, ‘it is an action cum romantic entertainer which has loads of ingredients for today’s youth. Harris Jeyaraj’s music is simply superb. The tunes are still doing rounds in my ears. You have to hear them to believe.’
Starring Kangana Ranawat and Lakshmi Rai as heroines, the film revolves around Ravi, a medico, who goes to Russia and encounters a series of problems. With language becoming a barrier in the alien land to prove his innocence, how he overcomes all the trouble to return to India forms the crux.
Lakshmi Rai says, ‘I can’t forget Dham Dhoom in my career. It is such an interesting script which has ample importance to my role. Surely the film is going to be one of the important films for me.’
